Entangled and Entraped in Samuel Becketts Waiting for Godot :: Waiting for Godot Essays

Entangled and Entraped in Samuel Becketts time lag for Godot Set against the barren dramatic landscape of Samuel Becketts Waiting for Godot, humanity seems to exist with an interconnected, interdependent, and interchangeable set of relations. Early in the play Beckett introduces the tether as a central metaphor in order to research the moral, social, and existential implications of this complex web of relations. Pozzo and Lucky are literally tied to one another. Though little tangible, Vladimir and estragon are joined by an every bit spotful emotional bond. Ultimately, even the relationship which defines the motion (or lack thereof) of the entire play, the connection amongst Godot and Vladimir and Estragon, is described as a form of bondage. Vladimir and Estragon comply that their fate is ultimately tied to the will of Godot. At first glance, the rope looped around Luckys neck and held by Pozzo delineates a fairly clear relationship of power Pozzo is dominant and Lucky is sub missive. While Pozzo does seem to revel in his position of authority, it becomes apparent that the relationship is more involved than it seems. Pozzo tries to explain that Lucky wants to mollify me so that Ill give up the idea of parting with him (I, 21). By enslaving himself to Pozzos wishes, Lucky hopes to ensure the continuation of their relationship. While Pozzo is aware that he is being manipulated, he also states, You cant occupy such creatures away. The best thing to do would be to kill them (I, 21). Yet all Pozzos efforts to sever their tie are unsuccessful. In fact, when they reappear in act II, the rope between the two has shortened and Pozzo is now blind. In a very real, very substantial manner Pozzo has become more dependent on Lucky. Their bond is thus simultaneously strengthened and convoluted. Though their connection might lack a tangible symbol, the link between Vladimir and Estragon is no less real or complex. Beckett is able to place both pairs under the common r oof of humanity. Pozzo acknowledges that Vladimir and Estragon are human beings none the less... of the same species as myself (I, 15). Vladimir and Estragon seem to depend on one another at a more visceral and emotional level, however. There is both love and revulsion between them. Both realize that their relationship is an obstacle to individual happiness, and yet both become desperate at the thought of a solitary existence.